Cuirass with skirt, the mid 15th century

Articulated gorget (bevor) is an element for chin, neck and throat protection. Some large models could also cover shoulders and upper part of chest of knight. Medieval warriors usually wore movable bevor together wish such types of helmets, as armet, visored sallet or chapel-de-fer, burgonet. In case of necessity, it could be easily opened or closed. You can use this custom-made metal gorget armor for: SCA HEMA Larp Stage performances Medieval festivals Reenactment events Base price includes following options: Cold-rolled steel 1.0 mm; Satin polishing; Brown leather belts; Steel nickel-plated buckles; Steel rivets; No decoration; Painting inside Main photo shows medieval metal gorget with following options: Cold-rolled steel 1.5 mm; Satin polishing as finish treatment; Brown leather belts; Steel rivets; Steel nickel-plated buckles; Painting inside In options, you may choose another type and thickness of metal, color of belts, finish treatment and decoration for you..

Churburg type breastplate of the XIV century is based on the well-known model of medieval plate body armour. Handcrafted steel protection consists of nine segmented parts, connected with rivets. There is a reinforcement V-shaped stop rib under the neckline of armor. Museum sample also has a lance rest on the right side and we can install it on your chest armor, by your request. Plate armor from Churburg Catle Breastplate has shoulder straps and belts for comfortable wearing. Medieval knights wore such body armor over the padded protection and chain mail, so we recommend you to follow the lead. You can use this custom breast armor for: SCA HEMA Larp Stage performances Medieval festivals Reenactment events Base price includes following options: Cold-rolled steel 1.0 mm; Satin polishing; Brown leather belts; Steel nickel-plated buckles; Steel rivets; No decoration; Painting inside Main photo shows authentic armor with following options: Cold-rolled steel 1.5 mm; Satin po..

Cuirass of the 2nd part of the XV century is made in the style of Italian armor of those times. Roundish torso protection consists of two halves: front and back one and segmented tassets for hips protection. Halves are connected together with leather belts and buckles; tassets are attached to the lower part of cuirass with the same belts. We recommend to wear this medieval plate armour over the thin padded doublet or gambeson for better comfort and protection. Our artisans manufacture such Italian-style cuirass by personal parameters of customer. You can use this custom body armour for: SCA HEMA Larp Stage performances Medieval festivals Reenactment events Base price includes following options: Cold-rolled steel 1.0 mm; Satin polishing; Brown leather belts; Steel nickel-plated buckles; Steel rivets; No decoration; Painting inside Main photo shows authentic combat cuirass with following options: Cold-rolled steel 1.5 mm; Blueing as finish treatment; Brown leather belts; ..

Milanese cuirass of the 1460 year is a classical model of Italian plate armor. This model of medieval armor is based on the painting “Brera Madonna” by Piero della Francesca. Brera Madonna, 1472 year Classical Milan-style cuirass combines features, typical for body defense of those times: Roundish breast and back plates, joining together with leather belts; Plackart, connected to the upper plates; Movable skirt of four horizontal segment, connected together with rivets; Tassets, attached to the lower part of skirt; Culet – plate for buttocks protection; Lance rest on the right side of cuirass. Such cuirass was usually worn together with different-sized Milanese pauldrons. You can use this functional knight body armour for: SCA HEMA Larp Stage performances Medieval festivals Reenactment events Base price includes following options: Cold-rolled steel 1.0 mm; Satin polishing; Brown leather belts; Steel nickel-plated buckles; Steel rivets; No decoration; Painting ins..

Fashion scream of early gothic in the Holy Roman Empire - Kasten-brust armour aka "box-shaped breast". Appeared in 1420, armor got its name because of special shape of the breastplate, resembling an oblique box. From 1440s, ribs formed on them and cuirass could carry a series of parallel stiffeners, so often arranged that the effect of a corrugated surface created. In addition, Kasten-brust breastplate have several distinguishing features, like the armholes and necks of such cuirasses were always bordered by rolled or overhead steel strips. By means of hinges to the cuirass was attached the lumbar plate. In its turn, to the lumbar plate by means of sliding rivets was attached the laminar hem which, on the contrary, was located on top of it.  Kasten-brust skirt plates could reach the level of the knees, but withe length of time their hem moved up, just like as the ordinary ones. However, at the beginning to facilitate walking and landing in the saddle, the hem had a truncated conical shape, expanding significantly..